Anna Sayburn Lane

Thriller author

Anna Sayburn Lane

Why “Unlawful Things”?

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Finding the right title for my novel was a real challenge. I’d written at least three drafts before I managed to alight on a title I was comfortable with.

For a time it was going to be The Marlowe Connection, until someone pointed out that could be mistaken for a book about railway travel in Buckinghamshire. For a while I considered Cut is the Branch, a line from Marlowe’s Doctor Faustus. But then… might someone think it was a gardening manual about pruning trees? Or that we were back to railways again, with a critique of cuts to rail services?

But Marlowe did supply the title I finally alighted on, Unlawful Things. The full quote, from the epilogue to Doctor Faustus, has the chorus moralising on Faustus, whose pact with Mephistopheles results in him being dragged away by demons to hell:

“Faustus is gone:  regard his hellish fall,
 Whose fiendful fortune may exhort the wise,
 Only to wonder at unlawful things,
 Whose deepness doth entice such forward wits
 To practice more than heavenly power permits.”

In other words, profit from Faustus’ example and stay well away from the ‘unlawful’ necromancy he used to pry into secrets that should only be known by ‘heavenly power’.

I liked the title because one of the themes of the book is the price we risk paying when we try to uncover secrets. And Unlawful Things has an unsettling, mysterious ring to it, which is always an asset in a mystery novel.

As a journalist, prying into unlawful things is pretty much in my job description, so I don’t have much sympathy for the idea that we should all just mind our own business. Humanity has risked much and gained much from the pursuit of its curiosity, down the ages. But there can be a high price to pay, whether it’s Marie Curie succumbing to cancer after discovering radium, or contemporary journalists murdered in the pursuit of corruption and organised crime. One of the questions I wanted to explore was, how high a price should we be prepared to pay?

Unlawful Things will be available to buy on Amazon next week, at a very reasonable price. I do hope you’ll take the opportunity to discover it for yourself.

Eastbridge Hospital – an inspiration for Unlawful Things

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Eastbridge Hospital in Canterbury

I get a lot of inspiration from visiting real places and learning about their history. One of the most enigmatic places I visited while researching Unlawful Things, which eventually played quite a big part in the novel, was Eastbridge Hospital in Canterbury.

Eastbridge is not a medical hospital, but an ancient place of hospitality, or hostel as we would call it today. It has been welcoming pilgrims and visitors to Canterbury for an astonishing 828 years, ever since Saint Thomas Becket was murdered in his own cathedral. It was set up to cater for the thousands of pilgrims who walked to Canterbury to visit the saint’s shrine in the cathedral, until its destruction during the Reformation. You can easily imagine Chaucer’s less wealthy pilgrims finding shelter here.

I first visited after walking the 60 miles from London to Canterbury, a walk that partly prompted the story that became Unlawful Things. Footsore and weary, I could well imagine stretching out on the tiled floor of the undercroft, chatting to my fellow pilgrims, eating in the dining hall and falling asleep to the sound of the river which runs under the bridge.

The undercroft of Eastbridge Hospital

I’ve been back since to learn more about its fascinating history. I learned about some of the figures who became Masters of the Hospital, about their links to Canterbury Cathedral, and about the hospital’s time as a school. I can’t tell you much more, because lots of this wound up in the book. Of course, I designed my own version of historical events to fit my story. I was a little nervous about how modern-day Eastbridge might react to this version of history, but happily the present-day clerk to the hospital is a crime fiction fan and has been very understanding!

Eastbridge today remains an almshouse, continuing its tradition of hospitality. It has two chapels, and also welcomes visitors to events and exhibitions. It’s well worth a visit next time you are in Canterbury.

Unlawful Things: launch date announcement

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Some good news – I finally have a launch date for Unlawful Things – and it’s just one month away.

The novel will be published in paperback and e-book formats on Thursday 25 October. Initially, it will be available through Amazon, although I hope to widen that out at a later stage. While not everyone is a fan of the online megastore, it does offer the best opportunities for independent authors to get their book into the world.

It’s been incredibly exciting seeing the whole project coming together.  I’ve been involved with every decision to do with publication, from this website, to the mailing list (do sign up if you haven’t yet!), to the cover design. I’ve worked with talented editors and proof-readers, designers and marketing gurus. It’s been a huge challenge finding out how the publishing business works, and I’ve learned so much along the way.

So there’s not long to wait now. I’ve ordered the first review copies and I’m looking forward to having a physical copy of the book in my hands. I’m a fan of the convenience and accessibility of e-books, but there’s something special about having an actual physical book, full of paper and ink, with your name on the front!

As soon as it’s ready to order, I’ll post the link here and on the newsletter. Thanks to everyone who’s supported me on the journey so far.

Who was Christopher Marlowe?

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Portrait of a young man, thought to be Christopher Marlowe

One of the key historical figures in Unlawful Things is the Elizabethan playwright Christopher Marlowe. Why Marlowe, my writing tutor asked? Where did your interest begin?

Well, I knew Marlowe’s plays from school and university. Marlowe, a contemporary of William Shakespeare, wrote some of the most amazing plays of the sixteenth century, such as his enduring classic Doctor Faustus, about one man’s pact with the devil. I loved his plays, but knew little about his life until I went on a three day walk from London to Canterbury, which took me past both his burial place (in Deptford) and the church where he was christened (in Canterbury). Made curious by this co-incidence, I decided to find out more.

There was a lot to learn. In his short life, Marlowe was imprisoned for killing a man in a street brawl, suspected of spying for the government, accused of being an atheist, Catholic and occultist (all considered equally reprehensible by the Protestant church at the time) and deported from the Netherlands for involvement in counterfeiting coins. Goodness knows when he got time to do any writing.

Marlowe’s turbulent life was cut short at the age of 29, when he was stabbed to death in an after-dinner brawl in Deptford. There have been many theories as to what was behind his death. Some believe the Elizabethan secret service wanted him dead because his work as a spy had become too dangerous. Others think he wasn’t actually killed at all, but faked his death and escaped abroad, where he wrote Shakespeare’s plays. Indeed, the witty Ben Elton Shakespearean comedy Upstart Crow made much of just this scenario a couple of weeks ago.

The more I read about Marlowe, the more intrigued I became. He was born the son of a shoe-maker in Canterbury, then was picked for a scholarship to Cambridge. At Cambridge, where he was probably intended to become a priest, he wrote his first plays, and quite possibly became a spy. He then moved to London to wow the Elizabethan stage, gaining a reputation for hell-raising. I began to wonder whether he’d learned a secret in Canterbury that had led to his early advancement, and finally to his death in Deptford. What if… but you’ll have to read the rest for yourself!

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Walk through Helen Oddfellow’s Southwark

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The George Inn, Southwark (Shakespeare’s local)

Have you got your free map of Helen Oddfellow’s Southwark? Every subscriber to my newsletter is sent a downloadable PDF of a hand-drawn map, drawn by Crystal Palace artist David Vallade. The map shows some of the key locations from Unlawful Things, enabling you to recreate the guided tour to Southwark that Helen gives near the start of the novel. I include background information about the sites, which formed part of the research I did for the novel.

Southwark and the Bankside area have been the heart of London’s entertainment district for hundreds of years. From the inn where Chaucer’s pilgrims set off to Canterbury, to the sites of the Rose Playhouse and Globe Theatre, they reflect the ways that people enjoyed themselves in days gone by. Part of this history is because theatres and other places of entertainment were banned from the city centre, so moved south of the river, where the authorities took more relaxed approach.

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Judging a book by its cover

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Despite the advice not to, we do all judge books by their covers – how else are you to know whether a particular title is the type of book you love, or not your cup of tea? So getting the right cover for Unlawful Things was a big challenge for me.

I spent a lot of time hanging around libraries and book shops, looking at the shelves. Where would my book fit? What sort of covers did thrillers and mysteries have? What made one book stand out and catch my eye, while others barely registered?

There are clear conventions in book genres. Curly writing, pastel colours and idyllic settings or pretty illustrations spell romance. Stark, often brightly coloured text against a dark background, perhaps with a woman looking fearfully over her shoulder – psychological thrillers. I was after something that conveyed mystery, intrigue and a historical back story. I had a few ideas, including using the skulls on the graveyard gates where Marlowe is buried, and where some of the key scenes in the novel took place. I commissioned cover designer Jessica Bell.

After some discussion about the book and my ideas for the cover, Jessica sent me some options to choose between. One very spooky graveyard scene was particularly impressive – but after asking people what they thought, it was clear that it suggested a horror or ghost story. Good as the cover was, it promised the wrong thing. I asked Jessica to rejig an image from one of the other options, with a mysterious staircase – and she came up with this terrific cover, which I really love. I hope it intrigues you and makes you want to take a look inside – which, after all, is the only real way to judge a book.

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